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Kuba Masks
African rulers used art to show their wealth and power. These Kuba masks are among Africa's most famous and convey the story of the origins of the Kuba peoples. The masks in this case would be danced along with a mask representing the King, Mwaash aMbooy (not in case, see image) in a royal ceremony which reenacts the royal dynastic myth. These masks may also appear at initiation and funeral ceremonies. These masks are part of a full body costume made of bark cloth and raffia cloth with a variety of symbolic objects attached. As with most Kuba art, they are embellished with cowries, beads, metal, fur, rafia fiber and geometric designs. The color of the beads have the following significance: the blue range of colors are suggestive of high rank; the red range of suffering and fertility; and the white range of purity, the sacred, and mourning. The cowrie shells are a display of the king's unique wealth and status.

Ngaady aMwaash Mask
Kuba peoples, Democratic Republic of Congo (Formerly Zaire), 19th-20th Century; Wood, Raffia Cloth, Beads, Cowrie Shells, Pigment; Object ID 97-18-33; Gift of Dr. & Mrs. Robert M. Hill II

This mask represents the daughter of the great God Woot, who is also the wife of the first king from whom all Kuba royalty trace their lineage. A Kuba ideal of beauty, Ngaady aMwaash was fought over by Mwaash aMbooy, her husband and king, and his brother, Bwoom. The diagonal lines below the eyes represent tears and refer to the hardships of women as well as the funerary context in which this mask also performs. The strip of beadwork that covers her mouth, perhaps refer to the silence of women.

Bwoom Helmet Mask
Kuba peoples, Democratic Republic of Congo (formerly Zaire), 19th-20th Century; Wood, Raffia Cloth, Sheet Copper, Beads, Cowrie Shells, Seed Pods, Hide, Animal Hair; Object ID 97-18-23; Gift of Dr. & Mrs. Robert M. Hill II

This mask, with its bulging forehead, represents Bwoom, the son of the great God, Woot. Bwoom was sent to Earth by his father to establish the Kuba dynasty. He was accompanied by his sister Ngaady aMwaash, and his brother Mwaash aMbooy (the King; see image) with whom he struggles with for power. Bwoom seeks both his brother's throne and wife, Ngaady aMwaash. Bwoom also symbolically speaks for the common man.



ALSO NEW TO THE COLLECTIONS...

Butter Container
Negele (Arussi Province), Ethiopia, 20th Century; Gourd, Leather; Object ID 2003-23-4; Gift of Harry S. Bingham

Traditional milk products such as butter, ghee, and milk are important commodities in Ethiopia. In addition to its high market value, butter is also important because of its ceremonial use as an article of tribute. It also has many daily life uses such as in coffee and food preparation. This decorated gourd was used by women to carry butter for the grooming of their hair.

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